THE SCULPTURE PARK

Currently on display is FOS’ Hypernormalization, a portal made of burnt larch wood that marks the transition between city and art institution, exploring how architecture and social structures shape our movements and behavior.

And Søren Thilo Funder’s Dutch’n’Dutch (What the hell are YOU? What the hell ARE you?), which questions identity, masculinity, and our relationship with pop cultural icons.

Here you will also find the work OUI by design brothers Ronan & Erwan Bouroullec, four circular seating installations made of galvanized steel that integrate resting, community, and function into the park's landscape.

Not to forget Willy Ørskov's Black Granite from Congofrom 1977. A minimalist work that challenges the notion that art necessarily must contain narrative or symbolism.

Or Jimmie Durham's monumental Pagliaccio non son, which consists of a mahogany trunk from Congo, originally intended for luxury yachts but transformed into a work about materiality, global trade, and transformation.