Greek and Roman Sculpture

Please note that until October 2026, we are rearranging the museum’s collection of Greek and Roman Sculpture in preparation for new exhibitions.

This may affect your visit, as some artworks or objects are temporarily unavailable, and certain galleries may be closed. We apologise for the inconvenience.

In the world of the Ancient Greek and Romans, sculpture was one of the most important means of expression and communication. Every single statue, head and relief was produced with an eye to its specific purpose and message. In most cases the sculpture was set up in the public space, e.g. the city’s market place, burial ground, theatre and sanctuary.

The multiple meanings and functions of sculpture in Antiquity can be experienced in the fourteen rooms which house the Glyptotek's extensive collection of ancient sculpture from the Mediterranean world – primarily from Greece and the Roman Empire.

The exhibition is a journey through a crucial chapter in European cultural history. From around 600 BCE when Greek large-scale sculpture emerged, to c. 400 CE the Roman Empire, when its form of government and religion had to make way for Christianity and the Empire of Byzantium.

The greater part of the collection of sculpture is made up of Roman works. Many of these, more or less directly, imitate famous Greek original sculptures from the 5th and 4th centuries BCE.

The Roman works are a source for the understanding of the original Greek works. Works which, in many cases are now lost, but were, accordingly, in the Roman Imperial Period, the object of such great fascination and fame that they inspired the creation of various Roman versions.

Roman sculpture is, however, more than mere illustrations of lost Greek originals. It is also an important statement of the Romans’ own spiritual and art historical background, to wit the Roman Empire, its society and religion.

A number of sections of the exhibition therefore clarify some of the contexts in which Roman sculpture featured.

Which famous Greek sculptors, motifs and styles were preferred by the cultivated Roman commissioners of Greek-inspired sculpture?

What was originally set up in an Imperial park in Rome? On the estate of some wealthy Roman outside the city? Or on the tomb of a noble family or in a Roman sanctuary?

Greek philosophers and statesmen, poets, Roman emperors and prominent citizens of Rome populate the rooms of the Glyptotek's collection of Antiquities. It contains more than 400 portraits from the Ancient Greek and Roman world.

The collection of – especially Roman – portraits is internationally renowned for its scope and for the high quality of the works themselves. The collection of Roman Imperial portraits reflects an ambition of Carl Jacobsen, founder of the museum, to acquire at least one portrait of every Roman emperor.

In the Glyptotek today, one can stand face to face with a unique and almost complete series of Imperial portraits. Among them Augustus (27 BCE – 14 CE), the first emperor of Rome, who created the Roman Empire. And the infamous Caligula (37-48 CE) of whom the Glyptotek possesses a rare, fine portrait.

Other important historical figures are to be found in the Glyptotek's portrait collection. One of whom is Pompey the Great (106-48 BCE), military commander and Julius Caesar’s inveterate political opponent. He can be seen at the Glyptotek in the form of one of the best Roman portraits to be found anywhere.