Museum der Moderne Salzburg

Stano Filko. 12 Chakras of Becoming

Boris Ondreička, Jürgen Tabor

Stano Filko was one of the most visionary and most radical protagonists of the Central European neo-avantgarde. The Generali Foundation Collection—Permanent Loan to the Museum der Moderne Salzburg dedicates a…

Curiosity in Flux: Art from Salzburg between Fresh Start and Recollection

Harald Krejci, Marijana Schneider, Tina Teufel

The exhibition brings together works by artists with roots in Salzburg and opens up diverse perspectives on an ostensibly familiar place. Cultural participation and curiosity are at the center of the accompanying…

Ernst Caramelle. Figures of Thought

Jürgen Tabor

Ernst Caramelle is one of the most prominent international exponents of Austrian conceptual art. Since the 1970s, he has probed the unstable relationship between reality and illusion, between the picture and the…

Irma Rafaela Toledo. Painting as Freedom Unfolding

Tina Teufel

Irma Rafaela Toledo did not fulfill her wish to work as a painter until after the Second World War. Born into a Jewish merchant family, she survived by hiding in the mountains near Salzburg during the last two years of…

Kokoschka’s Backgrounds

Barbara Herzog, Aglaja Kempf

With Kokoschka's Backgrounds, the Museum der Moderne Salzburg presents an exhibition at its Old Town venue (Rupertinum) that offers insights into Kokoschka's compositions. The focus is on the evolution of his pictorial…

Reading and Media Lounge

Stefanie Grünangerl

Set in the heart of Salzburg’s old town, the redesigned reading and media lounge at the Rupertinum invites the public to read, look, and rest. It offers selected literature from the libraries of the Museum der Moderne…

Why Are You Creative? By Hermann Vaske

Harald Krejci

What makes an idea a good idea? What defines the genius of creative people? For more than thirty years, filmmaker and author Hermann Vaske has posed these questions to some of the most influential writers, artists,…

The Day Is Gone: 100 Years of the New Objectivity

Between the 1920s and 1930s, this exhibition of works in the style of the New Objectivity takes visitors from the artist's studio into the streets of the vibrant metropolis, to the theatre, and finally into the night.…

Restless Orders. Sculpture and Human Existence since 1945

Sculpture can give physical form to inner states, charge an everyday object with desire, or make social constraints tangible. What a sculpture can be has changed fundamentally again and again since 1945. Restless Orders…